The opening reception on Friday, July 17, from 5:30 – 7:30 p.m.. is free and open to the public. Light refreshments will be served.
Dorothy Graden will be presenting an artist talk / slide presentation titled ~ Archaic Magic as Background to Artistic Inspiration and Interpretation on Thursday, August 6 from 5 - 7 p.m.
Dorothy is an award winning contemporary artist whose art is inspired by Ancient Visions. Many of these sites hold spiritual powers, and many are shamanic, although, some say her art looks futuristic. Some say it is Japanese Art inspired. For over 25 years she traveled through the American west to photograph and draw prehistoric rock art. These rock art images were incised, pecked, abraded and painted on cave and canyon walls and boulders. Rock Art has been found on every continent except Antarctica. Some sites are 30,000 years old.
Dorothy has presented her field work on rock art at the Russian Academy of Science, Moscow; at University College Cork, Ireland; and at the University of Innsbruck, Austria (2014). Her photographs have been published in the Theosophical Society's journal, Quest. She also presents lectures and exhibits her drawings and ceramic sculptures at various venues throughout the Midwest and the Chicago area.
The band Halo Moon will perform music inspired by the work of Dorothy Graden titled, Songs of Spirit, Nature and Life at the July 17th opening reception.
Dorothy Graden will be presenting antitled ~ Archaic Magic as Background to Artistic Inspiration and Interpretation on Thursday, August 6 from 5 - 7 p.m.
The popularity of ancient sacred and magical sites offers reassurance of another reality. Many of these sacred places are associated with a fundamental wisdom, divine and mystical, which people of today would like to recapture.
Dorothy will share where she gets her inspiration for her art. Her slide presentation is from photos taken during hikes of sites scattered from the Rio Grande, the river that divides the United States from Mexico, up to Central Montana. Most of the areas are arid regions that have interesting geological features – mountains, canyons, large boulders, dry river beds, volcanic remnants, buttes, and glacial lakes. The rock art dates from 12,000 BCE to 1800 CE.
Hoppy Hour – Hot Dogs & Beer will be available at 4:30 p.m. prior to the presentation. Please email email@example.com or call 269-983-3688 if you are joining us for Hoppy Hour by August 5th.
The Circus Series, created by Gabrielle Feldman in her seventies and early eighties, was the culmination of two lifelong passions: a love of small, family-run circuses and a fascination with spectacle. Throughout her life Gabrielle collected books and paraphernalia related to these interests, including postcards, dolls, puppets, wind- up toys, and other automata, some of which are displayed in her art.
Gabrielle’s love of the circus, which began as a simple childhood enthusiasm, became a perennial attraction that stayed with her throughout adulthood. She was captivated by all its dimensions: its roots in commedia dell’arte, its aesthetic beauties, its marvels, and the tremendous labor and discipline it requires. Gabrielle’s circus is a kind of heavenly army made up of all God’s children—stuntmen and acrobats, spectators and animals, as well as everyday riggers and roustabouts.
Gabrielle Feldman (1925- ) is a Philadelphia-born artist who studied painting at the Philadelphia Museum School of Industrial Art (now University of the Arts). She began her career in fashion, first as an illustrator and later with a hand-painted couture line called Gertrude & Gabrielle. After a number of years devoted to photography, around 1980 she returned to her artistic roots: painting and drawing. Around the same time she and her husband left Philadelphia for some acreage nestled in the lakes and forests of Honesdale, Pennsylvania. For the next three decades, with this inspirational landscape as a home base, Gabrielle exhibited figurative work, still lifes, landscapes, and narrative paintings in the regional museums and galleries of northeastern Pennsylvania and upstate New York. Now retired, she has been living in southwest Michigan since 2012.
The Riverwalk Gallery will be devoted to the Berrien Artist Guild members show titled A Really Big Shoe. Using shoes as the subject, members are invited to create them: decorate them: paint them: paint pictures of the: photograph them and display them for your enjoyment.
The opening reception on Friday, September 11, from 5:30 – 7:30 p.m.. is free and open to the public. Light refreshments will be served.
Mark’s passion for wood, the outdoors, and simple rustic beauty, He fashions his hand crafted works out of his home in Niles, Michigan. Rare wood burls for his creations are obtained from all corners of the world, each one of a kind. In returning to simpler times, every burl is then hand hewed, a rare and wonderful traditional art form converting the wood into a sculpture using only simple primitive tools, hands and heart. It is a difficult and time consuming process, yet a true way to turn this wonder of nature into a treasured piece for a contemporary lifestyle. Mark’s sculptures are specifically designed and created to bring delightfully unexpected artwork for both indoor and outdoor landscapes.
David’s photos are made on medium format film with a Holga camera, an inexpensive plastic device with limited controls. The inherit quirks of the camera and its imperfect plastic lens introduce unpredictable variables into photography.
He lives at the boundary between Indiana and Michigan. Most of his photographs come from these borderlands. While geography influences his photography, he is more interested in a broader definition of a borderland as an indeterminate area that is hard to define, because it contains qualities or features of overlapping things. Sometimes these indeterminate areas may be depicted by a single exposure. At other times, multiple exposures create the overlap. The multiple exposure images usually are made with the Holga camera mounted on a homemade device he calls The Rotomator—a few pieces of wood attached to a lazy Susan bearing—which allows the camera to revolve around the axis of the lens. This arrangement stands in stark contrast to the precise, expensive, computerized devices he used in his career as a physician specializing in diagnostic radiology, a pursuit from which he retired at the end of 2014.
Nathan makes paintings of a world loosely based on his hometown in Southwest Michigan. The setting is idyll, with sunny skies, green grass, sandy beaches, and plenty of golden retrievers. The people in this world, however, are not so idyll. They are selfish, narcissistic, violent and obsessed with youth and beauty. Worst of all, they are completely oblivious to themselves.
These despicable characters do not represent individuals that Nathan knows, but rather a culture with a value system that he can't relate to. That value system is embodied in advertisements and popular media, with a visual language that is big, bold and in-your-face. His paintings use that same visual language combined with exaggeration, caricature and a few absurd details to achieve a subversive effect.
Joshua is a multi-media artist: he creates through paintings, photography, print-making, sculpture, installation and sound. Throughout Mason's art there is an urge to explore the materiality of earth. He grew up fascinated by history and mythology, and was exposed to a love of hiking and camping in forests at a young age. Learning more about the imprints of geology or of the natural landscape upon the senses of experience, Joshua became interested in intersecting his creative endeavors with the forms of nature.
Not So Solid Earth explores the intersection between mark-making and landscape. The work is inspired by beach erosion on the shores of Lake Michigan: on the shoreline the repeated formation and breakup of ice ridges results in a significant removal of beach. Where water meets the edge of land there is a constant, dynamic change. Relating to the geologic processes of terrestrial and fluvial forces, the artist seeks to mineralize the imagination.
The MAAC is a multi-media competition open to residents of Southwest Michigan, Northwest Indiana and members of the Berrien Artist Guild.
The distinguished jurors for this year's MAAC were Doug McCauley, Lem Montero and Michael Northrop.
Awards will be presented on Friday, May 15th at 6:30 p.m. to the winning artists at a reception to be held from 5:30-7:30 p.m. on Friday, May 15.
In addition there will be Merit Awards presented by local businesses and individual sponsors, and the Al Farmer Young Artist Award.
$300 award by Jan Sonneman - Up a Tree, by Charlene Long
$200 award by Twin City Camera Club - The Bridge at Aberdeen, by Rhonda Mullen
$200 award by Lakeshore Family Dental - Metis Long Coat with beaded bag, by Debra Eiswald
$200 award by DeVries Agency - Untitled Mixed Media, by David Labrum
$200 Award by Schaller Gallery - Into the Light, by Susan Sutherland Barnes
$200 Sponsor Award by Southwest Michigan Tourist Council - Mom's Hands, by Ron Doyle Al Farmer Young Artist - $200 award – Wise, by Ashley Hochstetler
The Opening reception on Friday, May 15th from 5:30 – 7:30 p.m. is free and open to the public,and is underwritten by the Southwestern Michigan Tourist Council. The exhibits in all three Box Factory galleries will continue through June 27th, with special Sunday hours from 1-4pm.